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Jenner and King's social connections helped gain the band prominent coverage in the Financial Times and an article in the Sunday Times which stated: "At the launching of the new magazine IT the other night a pop group called the Pink Floyd played throbbing music while a series of bizarre coloured shapes flashed on a huge screen behind them ...apparently very psychedelic." While they had significantly increased the frequency of their performances, the band were still not widely accepted.Jenner was impressed by the sonic effects Barrett and Wright created, and with his business partner and friend Andrew King became their manager.While performing at the Countdown Club, the band had experimented with long instrumental excursions, and they began to expand them with rudimentary but effective light shows, projected by coloured slides and domestic lights.SEE ALSO: Black Pink get dreamy for the cover of 'Marie Claire'After making their name well-known in Korea, the girls traveled abroad to Japan to perform for all the fans in the country but also showed some behind-the-scenes where they are seen getting ready to give the fans amazing shows.Afterward, they spent some time to purchase a wide selection of snacks and food from a convenience store, which Japan is really popular and well-known for.Barrett created the name on the spur of the moment when he discovered that another band, also called the Tea Set, were to perform at one of their gigs.
Barrett's performances were enthusiastic, "leaping around ... While in negotiations with record companies, IT co-founder and UFO club manager Joe Boyd and Pink Floyd's booking agent Bryan Morrison arranged and funded a recording session at Sound Techniques in West Hampstead.Waters became the band's primary lyricist and conceptual leader, devising the concepts behind their albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983).The Dark Side of the Moon and The Wall became two of the best-selling albums of all time.During this period, spurred by the group's need to extend their sets to minimise song repetition, the band realised that songs could be extended with lengthy solos', wrote Mason.The group first referred to themselves as the Pink Floyd Sound in late 1965.